BURNSVILLE, Minn. — A suburban Minneapolis community was in mourning on Monday after authorities said two police officers and a firefighter were killed by a heavily armed man who shot at them from inside a home that was filled with children.

The shooting on Sunday in a tree-lined neighborhood of Burnsville, Minnesota, left a third officer wounded. The suspect, who officials said had multiple guns and large amounts of ammunition, also died.

Minnesota Bureau of Criminal Apprehension Superintendent Drew Evans said there was an exchange of gunfire, and authorities were still piecing together details of what he described as a “terrible day.”

The firefighter, who also works as a paramedic, was shot while providing aid to an injured officer, Evans said. He told reporters the paramedic was a part of a SWAT team that had been called to a domestic situation at the home. 

Inside, an armed man had barricaded himself with his family, including seven children ranging in age from 2 to 15, Evans said.

He said negotiations lasted for hours before the suspect opened fire. He wasn’t specific on the exact amount of time, but the Minnesota Police and Peace Officers Association said the standoff lasted four hours before a SWAT team entered the home.

Evans said the suspect had several guns and large amounts of ammunition and shot at the police officers from multiple positions within the home, including the upper and lower floors. Evans said at least one officer was shot inside the home.

“We still don’t know the exact exchange of gunfire that occurred,” Evans said. “Certainly several officers did return fire.”

He said that around 8 a.m. the suspect was found dead and the family and children were released from the home. None of them were hurt.

City officials identified the slain officers as Paul Elmstrand and Matthew Ruge, both 27. Adam Finseth, 40, a firefighter and paramedic for the city since 2019, also was killed.

Elmstrand, a member of the department’s mobile command staff, joined the department in 2017. Ruge was hired in 2020 and was part of the department’s crisis negotiations team and was a physical evidence officer.

Another police officer, Sgt. Adam Medlicott, was injured and being treated at a hospital with what are believed to be non-life-threatening injuries, the city said.

As the bodies of the dead left a hospital, officers saluted, before they were taken in a convoy to the medical examiner’s office. Medical staff watched in scrubs.

“We’re hurting,” said Police Chief Tanya Schwartz. “Today, three members of our team made the ultimate sacrifice for this community. They are heroes.” 

Neighbors were startled awake by loud pops about an hour before sunrise.

Alicia McCullum said she and her family dropped to the floor, uncertain whether the noise was gunshots. She and her husband peered out of their sunroom and saw squad cars and a phalanx of police officers.

“I didn’t think it was a gunshot at first, but then we opened the windows and we saw police everywhere and police hiding in our neighbors’ yards,” said McCullum, who lives two houses down from the source of the commotion.

“Then there were three more gunshots,” she said. “It was like a bunch of fireworks.” That’s when she and her husband and two children sought safety in a bathroom and dropped to the floor. They prayed.

McCullum said she was relieved to see a woman and children escorted out of their home. “We’re so thankful for those police officers that risked their lives to save those kids,” McCullum said. “And my heart goes out to that mother.”

Fire Chief BJ Jungmann said the community was grieving and asked for privacy for the families. None of the relatives of the officers or the firefighter immediately returned phone messages from The Associated Press seeking comment.

Evans said the medical examiner would identify the suspect and said autopsies were planned for Monday. There was no indication the home had been a source of troubles in the past.

“There have not been many calls for service at all,” Evans said.

As the investigation unfolded, the neighborhood was ringed with police cars to keep reporters and the public away. A police armored vehicle had bullet damage to its windshield, and Evans confirmed it sustained the damage in the gunfight.

Police scanner recordings on Broadcastify.com capture a rattled man saying, “I need any ambulance,” as he struggled to catch his breath. Someone later could be heard talking about three being loaded into ambulances, uttering the word “critical.”

As news spread, other law enforcement agencies immediately began posting messages of condolence on social media, including images of badges with blue bars through them. It is a mark of solidarity in mourning.

“In times like these, it is essential to come together as a community and support one another through the uncertainty and grief,” said Marty Kelly, the sheriff in neighboring Goodhue County.

Flags also were lowered to half-staff, with Minnesota Gov. Tim Walz urging those who walked past them to take a moment and think about the first responders who lost their lives.

“Minnesota mourns with you,” he said. “The state stands ready to assist in any way possible.”

Hundreds of people gathered in front of Burnsville City Hall on Sunday night for a candlelit vigil to remember the victims. Several uniformed officers from other departments also attended.

A fire truck and police car were in front of the building. The police vehicle had bouquets of flowers on the hood and handwritten signs tucked under the windshield wipers, one of which read: “We are praying for you.” Those gathered joined together in prayer and sang “Amazing Grace.”

“Right now is a time to grieve, to come together and grieve our community’s loss, and to support the families,” said U.S. Rep. Angie Craig.

“I can’t imagine the pain that you’re all going through,” Craig continued, “but what I can say is that to all our officers out there, the paramedics, our firefighters, thank you for what you do.” The crowd applauded.

“It’s an important community,” said area resident Kris Martin, “and we feel very saddened by what happened.”

Burnsville, a city of around 64,000, is located about 15 miles (24 kilometers) south of downtown Minneapolis. 
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New York — Paramount Pictures’ Bob Marley biopic “Bob Marley: One Love” outperformed expectations to debut at No. 1 at the box office with a $27.7 million opening weekend, while Sony’s “Madame Web” flopped with one of the lowest debuts for a movie centered on a Marvel character.

Both films launched in theaters on Tuesday to rope in Valentine’s Day moviegoers. But on a weekend that was once expected to go to “Madame Web,” “One Love” emerged as the much-preferred option in theaters, despite largely poor reviews.

Instead, “One Love,” starring Kingsley Ben-Adir and produced with the involvement of the Marley estate, performed roughly on par with previous hit musical biopics like “Rocketman” and “Elvis.” Paramount is forecasting that “One Love” will gross $51 million over its first six days, including estimates for President’s Day on Monday. It added $29 million from 47 international territories.

Chris Aronson, distribution chief for Paramount, noted that pre-release projections forecast a six-day total closer to $30 million for “One Love.” But moviegoers from a wide range turned out for the first big-screen biopic of the Rastafarian legend.

“It was across all generations. It wasn’t just a movie for an older audience that grew up with Bob Marley’s music,” said Aronson. “Our highest quadrant was (age) 18 to 24. A third of the audience was under 25. That, to me, speaks volumes.”

Produced for about $70 million, “One Love,” directed by Reinaldo Marcus Green, chronicles Marley during the making of the 1977 album “Exodus” while leading up to a pivotal concert for his native Jamaica. Among the movie’s producers are Marley’s children, Ziggy and Cedella, and his wife, Rita.

Ziggy Marley, in a statement Sunday, said: “We thank the people for embracing this film and in so doing helping to highlight the message of one love.”

Though critics dinged the film (43% “fresh” on Rotten Tomatoes) for relying on biopic conventions, audiences gave it a much higher grade, with an “A” CinemaScore. That kind of audience response plus the strong opening should bode well for the film’s run.

“Madame Web,” however, was dead on arrival. Over six days, Sony is estimating a $15.2 million weekend and a six-day $25.8 million haul. Audiences (a “C+” CinemaScore) agreed with critics (13% “fresh”).

Such launches were once unfathomable for stand-alone superhero films. But the film, an extension of Sony’s universe of Spider-Man films, struggled to shed the bad buzz surrounding the $80 million project. In it, Dakota Johnson stars as a New York paramedic with clairvoyant powers.

“The entire superhero genre has had a really rough go of it over the past year,” said Paul Dergarabedian, senior media analyst for data firm Comscore. “Certain things are no longer a sure bet. Except maybe now, the musical biopic has become the go-to genre. It just shows how tastes can change.”

Sony’s Spider-Man spinoffs have been mostly hit and miss. Its two “Venom” films have together surpassed $1.3 billion worldwide. But 2022’s poorly received “Morbius” collected just $167.4 million globally. “Madame Web” still couldn’t come close to the $39 million domestic opening weekend for “Morbius.” In 61 overseas markets, “Madame Web” added $25.7 million.

The better news for Sony’s Spider-verse came Saturday night at the 51st Annie Awards, where “Spider-Man: Across the Spider-Verse” won best feature and collected seven prizes in total. “Across the Spider-Verse” is nominated for best animated feature at the Academy Awards — and the Annie Awards can often be a good predictor of winner.

The 2024 box office has gotten off to a sobering start for Hollywood, and the disappointing result for “Madame Web” won’t help. Moviegoing has slowed to a crawl in recent weeks, while 2023’s strikes have impacted this year’s release schedules. Even with the strong “One Love” opening, ticket sales were down 15% on the weekend compared to 2023, according to ComScore.

Expectations are high for “Dune: Part Two,” opening March 1. Until then, “Bob Marley: One Love” will be jammin’.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Bob Marley: One Love,” $27.7 million.

2. “Madame Web,” $15.2 million.

3. “Argylle,” $4.7 million.

4. “Migration,” $3.8 million.

5. “The Chosen,” Episodes 4-6, $3.4 million.

6. “Wonka,” $3.4 million.

7. “The Beekeeper,” $3.3 million.

8. “Anyone But You,” $2.4 million.

9. “Lisa Frankenstein,” $2 million.

10. “Land of Bad,” $1.8 million.
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Los Angeles — Samantha Sumiko Pinedo and her grandparents file into a dimly lit enclosure at the Japanese American National Museum and approach a massive book splayed open to reveal columns of names. Pinedo is hoping the list includes her great-grandparents, who were detained in Japanese American incarceration camps during World War II. 

“For a lot of people, it feels like so long ago because it was World War II. But I grew up with my Bompa (great-grandpa), who was in the internment camps,” Pinedo says.

A docent at the museum in Los Angeles gently flips to the middle of the book — called the Ireichō — and locates Kaneo Sakatani near the center of a page. This was Pinedo’s great-grandfather, and his family can now honor him.

On Feb. 19, 1942, following the attack by Imperial Japan on Pearl Harbor and the United States’ entry to WWII, President Franklin D. Roosevelt signed Executive Order 9066 authorizing the incarceration of people of Japanese ancestry who were considered potentially dangerous. 

From the extreme heat of the Gila River center in Arizona, to the biting winters of Heart Mountain in Wyoming, Japanese Americans were forced into hastily built barracks, with no insulation or privacy, and surrounded by barbed wire. They shared bathrooms and mess halls, and families of up to eight were squeezed into 20-by-25 foot (6-by-7.5 meter) rooms. Armed U.S. soldiers in guard towers ensured nobody tried to flee.

 

When the 75 holding facilities on U.S. soil closed in 1946, the government published Final Accountability Rosters listing the name, sex, date of birth and marital status of the Japanese Americans held at the 10 largest facilities. There was no clear consensus of who or how many had been detained nationwide.

Duncan Ryūken Williams, the director of the Shinso Ito Center for Japanese Religions and Culture at the University of Southern California, knew those rosters were incomplete and riddled with errors, so he and a team of researchers took on the mammoth task of identifying all the detainees and honoring them with a three-part monument called “Irei: National Monument for the WWII Japanese American Incarceration.”

“We wanted to repair that moment in American history by thinking of the fact that this is a group of people, Japanese Americans, that was targeted by the government. As long as you had one drop of Japanese blood in you, the government told you you didn’t belong,” Williams said.

The Irei project was inspired by stone Buddhist monuments called Ireitōs that were built by detainees at camps in Manzanar, California, and Amache, Colorado, to memorialize and console the spirits of internees who died.

The first part of the Irei monument is the Ireichō, the sacred book listing 125,284 verified names of Japanese American detainees.

“We felt like we needed to bring dignity and personhood and individuality back to all these people,” Williams said. “The best way we thought we could do that was to give them their names back.”

The second element, the Ireizō, is a website set to launch on Monday, the Day of Remembrance, which visitors can use to search for additional information about detainees. Ireihi is the final part: A collection of light installations at incarceration sites and the Japanese American National Museum.

Williams and his team spent more than three years reaching out to camp survivors and their relatives, correcting misspelled names and data errors and filling in the gaps. They analyzed records in the National Archives of detainee transfers, as well as Enemy Alien identification cards and directories created by detainees.

“We feel fairly confident that we’re at least 99% accurate with that list,” Williams said.

The team recorded every name in order of age, from the oldest person who entered the camps to the last baby born there.

Williams, who is a Buddhist priest, invited leaders from different faiths, Native American tribes and social justice groups to attend a ceremony introducing the Ireichō to the museum.

Crowds of people gathered in the Little Tokyo neighborhood to watch camp survivors and descendants of detainees file into the museum, one by one, holding wooden pillars, called sobata, bearing the names of each of the camps. At the end of the procession, the massive, weighty book of names was carried inside by multiple faith leaders. Williams read Buddhist scripture and led chants to honor the detainees.

Those sobata now line the walls of the serene enclosure where the Ireichō will remain until Dec. 1. Each bears the name — in English and Japanese — of the camp it represents. Suspended from each post is a jar containing soil from the named site.

Visitors are encouraged to look for their loved ones in the Ireichō and leave a mark under their names using a Japanese stamp called a hanko.

The first people to stamp it were some of the last surviving camp detainees.

So far, 40,000 visitors have made their mark. For Williams, that interaction is essential.

“To honor each person by placing a stamp in the book means that you are changing the monument every day,” Williams said.

Sharon Matsuura, who visited the Ireichō to commemorate her parents and husband who were incarcerated in Camp Amache, says the monument has an important role to play in raising awareness, especially for young people who may not know about this harsh chapter in America’s story.

“It was a very shameful part of history that the young men and women were good enough to fight and die for the country, but they had to live in terrible conditions and camps,” Matsuura says. “We want people to realize these things happened.”

Many survivors remain silent about what they endured, not wanting to relive it, Matsuura says.

Pinedo watches as her grandmother, Bernice Yoshi Pinedo, carefully stamps a blue dot beneath her father’s name. The family stands back in silence, taking in the moment, yellow light casting shadows from the jars of soil on the walls.

Kaneo Sakatani was only 14 when he was detained in Tule Lake, in far northern California.

“It’s sad,” Bernice says. “But I feel very proud that my parents’ names were in there.” 
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